Importance of Blake

In South Molton Street, round the corner from Bond Street Tube Station, William and wife Catherine lived and laboured for 17 years to write, create, craft through own invented printmaking and publishing process, and publish two of England’s great masterpieces ‘Milton A Poem’ and the 100-page illustrated epic poem, ‘Jerusalem the Emanation of the Giant Albion’.

Milton a Poem – Front page

Frontispiece of ‘Jerusalem’

William and Catherine lived all their lives in London apart from a three year period when they were offered work in a small village in Felpham on the South Coast of England.

It was in the cottage at Felpham that the Blakes lived at the height of the War between England and France (1800-1803). With the rest of Europe conquered or having made peace deals, Britain, alone, stood against the might of Napoleon.

The French First Consul and his 200,000 strong troupes were stationed at Boulogne waiting for the next tide to carry them over and to invade England and, like the goal of the French Revolution, make the United Kingdom a Republic.

Image: Napoleon at Boulogne waiting on the next tide to invade Britain

In Felpham cottage Blake was inspired to write what would later be crafted and completed in 17 South Molton Street, the ‘Milton’ and ‘Jerusalem’ epic illuminated works.

The Royal Wedding - Jerusalem (29 April 2011): https://www.youtube.com/watch?v=4yIWBO_7nio

England used the Blake’s ‘Jerusalem’ as its official victory anthem during the Commonwealth Games before 71 nations competing in New Delhi 2010 and also at this year’s Commonwealth Games in Birmingham.

More importantly ‘Jerusalem’ was chosen by the Duke and Duchess of Cambridge for their Royal Wedding at Westminster Abbey. It was sung by Her Majesty the Queen, politicians, diplomats and by visiting Heads of State from around the world (Also attended by the present Duke of Westminster, future godfather to Prince George).

Blake’s words were also chosen to represent the Spirit of Britain in celebrating our country’s rich history and culture at the opening of the 2012 Olympics screened around the world to 1 billion people.

Image Above: Blake’s was centre stage at the opening of the 2012 Olympics. ‘England’s green and pleasant land’ was the central theme with Blake’s cottage playing a key role.

Choir also sang Jerusalem as the opening hymn.

https://www.youtube.com/watch?v=7ee-Jd7nyLs

LEGACY: NATIONAL AND INTERNATIONAL IMPORTANCE AND RELEVANCE OF WILLIAM BLAKE

Blake is not a poet/artist/prophet of past times; he is ever present throughout contemporary culture with influences permeating far and wide at every level today.

Blake’s message and concepts can be seen woven within the creative works of renowned afficionados, from Sir Alan Parker, Sir Ridley Scott, author Phillip Pullman, children’s author Michael Rosen and Oscar winners (Chariots of Fire) Lord Putnam and Colin Welland to fantasy/graphic novel writers Neil Gaiman and Alan Moore and in movie and TV, Martin Scorcese (Mean Streets) – even Star Trek Deep Space Nine!

Musical Influences

The universal themes of Blake’s work inspired the 20th century giants of classical music, internationally renowned composers of opera, ballets and symphonies, Ralph Vaughn Williams, Sir Benjamin Britten, Sir Malcolm Sargent, and Sir Edward Elgar.

Note: In 1922, Elgar composed an orchestral version of Blake’s’ Jerusalem’, and this was the version King George V said he preferred to “God Save the King.”

Popular music classics have been influenced, inspired by, or directly ‘borrowed’ from Blake’s work range from artist such as Bob Dylan, John Lennon, Paul McCartney, Rolling Stones, Van Morrison, Jim Morrison and the Doors, Patti Smith, Kris Kristofferson, Nick Cave, to Bono of U2, Emerson Lake and Palmer and heavy metal Iron Maiden Bruce Dickinson.

Bono references Blake inspiring his work in an interview for BBC Desert Island Discs:

https://www.bbc.co.uk/programmes/m0018njm

“This very morning, I walked to Piccadilly and there's a Christopher Wren building there, a church and you can just sit there.” (St James's Church in the heart of London, not far from Piccadilly Circus. Designed by Sir Christopher Wren, the church was consecrated in 1684.)

“But on my way in, I saw this is where William Blake was baptised, and I saw on the door written there on the plaque:

To see a World in a Grain of Sand

And a Heaven in a Wild Flower

Hold Infinity in the palm of your hand”

The words are from the poem Auguries of Innocence by the poet, painter, and printmaker William Blake.

“This must have been in the back of Bob Dylan’s mind [when he wrote] Every Grain of Sand,” a song from 1981, and another of Bono’s choices.”

Note: Two U2 album titles, Songs of Innocence, and the follow-up Songs of Experience, are taken from William Blake's collection of poems Songs of Innocence and of Experience.

Literary & Artistic Influences

As an artist and literary great, Blake’s work is a much sought after in sell out exhibitions and merchandise at the Tate Britain, Ashmolean Gallery, the Metropolitan Museum and The Morgan Library and Museum Maddison Avenue in New York. His masterpieces have sold via the multinational auction houses Sotheby, Bonhams and Christies often for millions of pounds.

Rare collection of Blake’s work, including letters, documents, etchings and drawings, sketches, notebooks are housed in institutions like Yale, Huntington, V&A Museum, Kings College, British Library and British Museum and in private collections around the world.

Diverse art movements have been influenced by Blake; Romanticism, Modernism, Surrealism, Psychedelic Art, Abolitionism, Feminism and the Counterculture and Metamodern Art.

Writers have propagated Blake’s themes in every age and culture: Dante Gabriel Rosetti, John Everett Millais, T.S Elliot , James Joyce, and WB Yeats, C.S. Lewis, Aldous Huxley and counterculture greats, Alan Ginsberg, Jack Kerouac.

Bruce Dickinson: Addresses the crowds at the Unveiling of William Blake's grave stone.

https://www.youtube.com/watch?v=pdT9SmVEaP4

National Influence

The preface of ‘Milton A Poem’ gives us the words to England’s unofficial National Anthem - ‘Jerusalem’.

Blake’s words, revered by the then Poet Laureate, Robert Bridges, (100 years later), had inspired Bridges to ask choral composer Sir Hubert Parry to set Blake’s words to music to boost morale during WWI.

Now, millions of people sing ‘Jerusalem, at sporting events in England. The choral piece is the official hymn, played before test matches, of the England national cricket team and also performed before rugby league's Challenge Cup Final and the Super League Grand Final. In addition, 'Jerusalem' is the official anthem of the British Women’s Institute and sung by the National Union of Suffrage Societies and is also sung at the Last Night of the Proms.

It’s important to highlight that his message and mission, to tell those of us ‘in futurity’, about England’s important role in elevating society, reveal the magnitude of his contribution to humanity which no other poet or artist has done before or since. Blake transcends all and reaches out to all.

Education

The national UK curriculum includes the study of William Blake for social, politics, as well as art and literature. Primary through to secondary school, Year 1-12 (6-17yrs)

Young people today are as fascinated by Blake as in any age and study him to help advance their own work in arts, literature, and cultural craft.

Blake's Resting Place

The reconstruction of Bunhill Field cemetery post World War II and in the 1960’s, saw the location of Blake’s final resting place landscaped over and lost. Dedicated Blakeans gave a huge amount of time and attention to research the archives to re discover the exact coordinates of William Blake’s grave.

Over several years, and liaising directly with the City of London, the day finally came, in 2018, when a stone grave marker was unveiled on Blake’s resting place.

INTERNATIONAL RESPONSE

Unveiling of Blake’s grave marker, Bunhill Fields Cemetery, Islington.

In his book, “William Blake Now – Why He Matters More Than Ever”, John Higgs, English Writer, novelist, journalist, and cultural historian records why this was an important event:

It was not ticketed and there was no charge to attend. It was barely advertised. Who would predict in this modern age how many people would assemble to witness the reveal of a new grave marker for a long dead Georgian poet? Who would have expected the arrival of such huge crowds.

Looking around at the people who felt compelled to attend I am struck by how hard it is to categorise they are. They seem to come from every sector of society. An elderly gentleman in a Barbour jacket and flat cap standing next to a teenage girl in Metallica T Shirt. There is a lot of white hair, but there is pink hair also.

The crowd, equally male and female with a greater mix of ethnicities than I expected. Small children run around the edges while room is made for frail and elderly who have made the effort to come here. Famous faces are scattered throughout the crowd.

I think I see known comedian Diane Morgan and actress Zoe Wannamaker. I have never been part of such a diverse crowd. There is something unreal about seeing this collection of people together. Tribes don’t mix like this anymore. And yet, there they all are.

Blake’s ability to reach across society like this is extremely unusual. Those who speak to the crowd ahead of the stone unveiling include an academic, a theologian, a Rector of St James Church, a punk poet, a comedian, and a multimillionaire metal vocalist.

There are marketing executives and artists who would bottle Blake’s secret, if only they could understand it. Businesses and artists invest a huge amount of effort in trying but failing to attract everyone.”

William Blake does! The response was similar online via a live Facebook broadcast. Comments from New York to South Africa following the event live, all expressed a deep desire to be there on that auspicious day.” (Extract page 3 and 4, John Higgs book, “William Blake Now – Why He Matters More Than Ever”)

KING CHARLES AND WILLIAM BLAKE

A recently circulated article by Mark Vernon, author, broadcaster, journalist, expands on the early influences of the now King Charles, the main tutor being the foremost Blake scholar, Kathleen Raine.

Raine had become a mentor to the then prince, a kind of spiritual director. “She understood what I was about,” Charles says in his eulogy. “I shall never forget this because it moved me so deeply”, he continues. This visionary, commanding woman was there for him and he was glad of it. “All my life I have believed in learning from the wisdom and experience of older people,” he affirms. Raine offered clearly articulated, deeply felt insight. She helped shape his adult spirit, and she drew from her profound sympathy with William Blake. “

Awakening in a Caroline Age. King Charles, William Blake & Kathleen Raine

https://www.youtube.com/watch?v=ll6-uBQrJI4

HM QUEEN ELIZABETH II RECITES BLAKE

In a special documentary for the Jubilee Queen Elizabeth looks back over her life showing previously unseen personal and family footage. In a rare moment of personal sharing, we learn of her philosophy on life, best expressed through the work of William Blake which she recites:

‘Joy & Woe are woven fine

A Clothing for the soul divine

Under every grief & pine

Runs a joy with silken twine

Elizabeth – The Unseen Queen, BBC – CUE 42.48mins - https://www.bbc.co.uk/programmes/m0017xv0

WESTMINSTER ARCHIVE ‘HIDDEN GEMS’ – PRESTON BLAKE COLLECTION

Westminster is no stranger to the importance of William Blake. The archive website gives details:

‘Donated to Westminster in 1967, the collection represents 50 years of assiduous acquisition of books by and about the great poet, painter, and mystic, who was born in Soho and spent most of his life in Westminster.

The Preston Blake collection is a large collection of books, pamphlets and art works relating to the influential poet, painter, and printmaker William Blake.

The collection consists of over 700 volumes, many of which are rare and sought-after, as well as periodicals, catalogues, and transparencies.

Jewels of the collection include:

  • autographed letters written by Blake to one of his patrons

  • Blake’s own printed copy of his first book of poems ‘Poetical Sketches’ including alterations in Blake’s own hand

  • The ‘Book of Job’ containing proof copies of Blake's 22 engraved illustrations

  • artist’s proofs of the 7 large illustrations of Dante.’

The Westminster Archive also houses William Blake’s life mask.

Please feel free to write and tell us why you feel William Blake is important today or how you feel his works help you in our everyday lives…

Look forward to hearing from you…

William Blake Fellowship

Williamblakefellowship@mail.com